When working I think in terms of a ZOOM in/ZOOM out quality of life: zoom in on the immediate: food, jokes, bills, lovers, traffic, temperature . . . zoom out: oceans, volcanoes, solar system, sugar molecules in space, a planet made entirely of diamond, vast wastes, dark matter, universe, multiverse . . . repeat. This is wrapped up in a childlike sense that so much is happening all at once; tigers and happy hour exist on the same planet, Jupiter and Twinkies share a solar system.
Using acrylic paint, graphite, and ink, as well as, generous amounts of glitter, paper, and various found materials most of my work is a balance of two opposing approaches. One, loose painting techniques: dripping, pours, flow and scatters which effectively represent natural elements – weather, water, clouds, smoke, etc. And the other, using architects’ tools, templates and compasses to rigorously draw controlled lines, concentric circles, grids and repetitive dots; using these to reflect structures and infrastructures that we build. I am improving my drawing skills so that I may increase the occurrence of representation with abstraction.
I am influenced by the look of outer space, computer chips, dramatic weather, electric circuits, decay, rock-n- roll glamour, plans and diagrams, b-rate sci-fi control panels, urban environments, fluid turbulence, engineering schematics and architectural drawings, and, increasingly, the stunning good looks of the Pacific Northwest. In my work there are things that come up again and again: Lost highways, nebulas, grids, geometric forms, mysterious powerful ladies who appear to be performing strange rites, mountains, animals, the woods, water in all states (solid, liquid, vapor), and cities, often isolated and decaying.
EXCLUSIVE WORK BY COUNSEL LANGLEY