Each work is slightly off focus and whilst your brain tells you you know exactly what you are seeing the unfocusing of the image insists for you to look closer, that everything might not be what it seems, that this out of focus image may (or may not) suggest there is something blurry or “off-kilter” about this person’s life.
— A Recent Collector
 
 

Online Gallery

 
 
 
These are paintings of exquisite beauty that reminds us daily that life is not black and white, it is not off and on, it is not “on point” most of the time, things are not always crystal clear ( they are often murky), there is not always clarity-most of the time we occupy a space somewhere in the middle, muddling along, making it up as we go along, even sometimes just in the “in between”-kind of the twilight zone.
— Art Critics
 
 

Prices for artwork do not include credit card charges, taxes or shipping, which is added at checkout and once shipping prices are confirmed.

 

Selected Sold Works

POTATOMIKE takes pride in providing transparency in the art market.
It's the cornerstone of our business model.
So, take a look at selected works by Marius and the prices for which they sold.

 
GLASS CHAIN
$3,700.00

H15 x W15x D68 cm

Ad Libris
$0.00

Ad Libris, H18 x W48 x D36 cm, Collection of the Zepter Museum, Belgrade (the author is not allowed to reveal the price).

A Small Private Library
$2,500.00

H12 x W50 x D38 cm, $2500.

Chain Links
$3,700.00

SOLD

H39.5 x W50.5 x D22 cm

City Luggage
$2,500.00

City Luggage – Lock, H50 x W45 x D15 cm, $2500.

Gentlemen's Hat
$0.00

Gentleman’s Hat, H20 x W45 X D50 cm, Collection of the Zepter Museum, Belgrade (the author is not allowed to reveal the price).

 

 

About Sherry's Work

My paintings and drawings are dedicated to my unending search for the narratives that lie beneath what appears to be the immutable concrete surface of reality. I have experienced that every circumstance has many layers to it. I am trying to achieve the seemingly impossible and contradictory task of painting that which cannot be seen but intuited. I have given up trying to know the one exact “truth” and discovered the pleasure of the mystery.

I paint in a diffused, soft lyrical style that is meant to mimic the transitory nature of an object or a figure. Many of the paintings are done in black and white in an attempt to bend reality to another perceptual level. Each painting is usually confined to a focus on one or two objects in order to more fully explore their unique worlds. The scale of the work is small to create a sense of intimacy. These formal elements are there to support my sense of narrative—the soul of my work.

 

 

 

Sherry Kerlin Live

 

THIS ROOM NO LONGER HAS WALLS

In his extraordinarily visionary 1831 short novel "The Unknown Masterpiece”, Honoré de Balzac (1799-1850) introduces three painters of different ages and in different cycles of artistic maturity: the young and inexperienced Poussin, the respected and established painter Porbus and the old master Frenhofer. Balzac raises, among other questions, the dissolution of the limits between painting and being, the fascinating metamorphosis of the pictorial object into what it represents and the role that the artist plays in that transformation, fueled by the erotic-loving impulse. "The Unknown Masterpiece" was the trigger and curatorial pivot of this virtual exhibition entitled "This Room No Longer Has Walls", made up of seven painters from different geographical origins and generations. Unlike that mythical Parisian studio, "This Room No Longer Has Walls" proposes a fluid room, without temporal or spatial walls, alluding to the possibility of visiting the exhibition in a virtual room that lacks physical barriers and whose starting point, as well as its point of arrival, is painting itself: present, past, and future.

Sep 23 - Nov 25, 2021
Online Gallery

 

Sherryl's work will be on view again soon.
Click here to be notified of his upcoming exhibitions or check back again and again! 

 

Selected Recent Exhibitions

 

Solo Shows

 Elysian Fields
Top Danmark
Copenhagen, Denmark

Celestial Bodies
Alka! 
Copenhagen, Denmark

 Twisted Flesh
Timisoara Fine Arts Museum
Timisoara, Romania

Group Shows & Fairs

Group Show
Art Square Gallery
Toronto, Canada

Photo Beijing
The China Millennium Monument
Beijing, China

 The European Festival of Nude Photography
Espace Van Gogh
Arles, France

 

 
Most of us have something from our past that makes us much more complex than we appear. Mostly though what I love about each of Sherry’s paintings is that Sherry knows exactly what back story they all have. Whether the artist decides on this back story before she embarks on the painting or whether it emerges through the paint I don’t know, but Sherry is an acute observer of human nature and for me, what I think is the true genius of this work is that I see an element of myself in every painting-however flawed, damaged, vain, or vulnerable that might be.
— Louisa Warfield, Art Consultant
 
 

Studio Visit

 

 

ABOUT SHERRY KERLIN

Sherry Kerlin is an artist who lives and works in New York City. She has had her paintings and drawings exhibited in prominent galleries throughout the United States.

Take a look at Sherry’s creating and hear from him directly in this short film.

 

 
 
I am honored to have my work be a part of this online exhibition, “This Room No Longer Has Walls”. This online exhibition was created and curated by the writer and curator Pilar Alfonso
— Sherry Kerlin
 
 

 

from an interview WITH Sherry

Q: How did you develop your paitings in capturing the human form? 
A: I am in love with the abstract. My first painting passion was using a macro lens to photograph the minuscule unseen treasures of the world we casually walk past every day. The two elements of macro photography that truly fascinated me were texture and form. Eventually I discovered the immense possibilities of working with the human figure and began focusing my attention on using the body as a medium.